The Hollows of Time
Audio / June 13, 2017

Released February 2010 By no means the fault of Big Finish, The Lost Stories range is invariably going to be one with a wide range in the overall quality of stories produced. After all, these early stories were completed for the television medium, and though necessary changes need to be made when adapting for the audio medium, the overall spirit and context of the overall story must remain as truthful as possible to the source material. Yet while the highly visual nature of a story such as ‘Leviathan’ excels within the audio medium due to the immense intrigue and ambience that heighten the imagery, ‘The Hollows of Time’ does not have that same atmosphere and would essentially need a complete rewrite to transfer its visuals to audio without the necessity of an overabundance of descriptive dialogue that unfortunately plagues this release. Full credit must be given to original writer and audio adpater Christopher H Bidmead for crafting a logical story that is anything but straightforward, and ‘The Hollows of Time’ will certainly challenge even the most avid fans as they piece together what is happening. Unfortunately, there is no real flow to events, and the plot largely consists of characters…

Frontios
Episode / March 31, 2017

Aired 26 January – 3 February 1984 Although ‘Frontios’ eventually turns into a rather conventional tale whereupon the Doctor must save a planet from an aggressive alien power, it begins as a restrained but powerful reminder about the ever-darkening path that Doctor Who was beginning to explore during the John Nathan-Turner era. The franchise has never been shy visiting the future and exploring human outposts, but the last vestiges of a human colony struggling to survive in its adopted fascist manner at the end of the universe after receiving no answers to its pleas for help for thirty years is a dramatically darker take than the unbridled optimism for continued survival usually portrayed. Wisely, ‘Frontios’ withholds revealing any sort of alien presence until well into the story’s running time, adding a tense paranoia to the situation by doing so as Captain Revere is cast in a villainous light despite the colonists’ insistence that they must be under attack from otherworldly forces. Indeed, as the colony begins facing more trouble and law and order begin to crumble, ‘Frontios’ is set up to be a deep exploration of the threat that humanity poses to itself in a heightened situation. Even as it…